Saturday, June 17, 2006

Darts

Three evenings ago I was playing darts with Amit 'Babumoshai'. After a couple of minutes of throwing the darts towards the board, we realized that though the game is fun, we could not compare who scored better since neither of us knew how scoring is done in the game. So we decided that one of us will have to find out how scoring is done in the game of darts. That evening, the game witnessed amazing feats by the players…like the one dart (of the three) which was propelled beyond the room and through the window with the help of my throw. We never found it again..maybe it struck a squirrel sleeping on the trees just outside the window…maybe it pierced a crow’s buttocks as it was dozing off on the branch…maybe it landed on a pile of ….anyway, it was gone for good and we knew it. But that didn’t stop us from playing with the 2 remaining darts. The game finally ended 15 minutes before the start of the second World Cup Football match of the day (Tunisia and Saudi Arabia).

So I went to google.com the next day and found some interesting facts about the game darts. Darts is a game, or rather a variety of related games, in which darts are thrown at a circular target (dart board) hung on a wall. Though various different boards and games have been used in the past, the term 'darts' usually now refers to a standardized game involving a specific board design and set of rules.

As well as being a professional competitive sport, darts is a traditional pub game, commonly played in the United Kingdom (the first to officially recognize darts as a sport), the Netherlands, Israel, the Scandinavian countries, the United States and elsewhere.


DARTS
Dart Boards:
Dart boards are usually made of sisal fibers and each section is lined with thin metal wire. The numbers indicating the various scoring sections of the board are normally made of wire, especially on tournament-quality boards, but may be printed directly on the board instead.

Height and distance:
In the standard game, the dart board is hung so that the bullseye is 5 ft 8 in (1.73 m) from the floor, eye-level for a six foot man. The oche (pronounced 'ock-ey'), or throwing line behind which the player must stand, is 7 ft 9.25 in (2.37 m) from the face of the board, though a few British pubs set it at 8 ft (2.44 m) or 8 ft 6 in (2.59 m).

DART BOARD
History:
The dartboard itself may have its origins in the cross section of a tree, although some historical records suggest that the first standard dartboards were the bottoms of wine casks, hence the game's original name of "butts" (Aha…this is interesting). There is speculation that the game originated among soldiers throwing short arrows at the bottom of the cast or at the bottom of trunks of trees. As the wood dried, cracks would develop, creating "sections". Soon, regional standards emerged and many woodworkers supplemented bar tabs by fabricating dart boards for the local pubs.

The numbering plan known by many today has a 20 on top; however, a great many other configurations have been used throughout the years and in different geographical locations. By most accounts, the numbering layout was devised by Brian Gamlin in 1896 to penalize inaccuracy. Although this applies to most of the board, the left-hand side (near the 14 section) is preferred by beginners, for its concentration of larger numbers.

Scoring:
The standard dartboard is divided into twenty numbered sections, scoring from one to 20 points, by wires running from the small central circle to the outer circular wire. Circular wires within the outer wire divide each section into single, double and triple areas. Various quite different games can be played (and still are played informally) using the standard dartboard. However, in the official game, any dart landing inside the outer wire scores as follows:

a. Hitting one of the large portions of each of the numbered sections, traditionally coloured black and yellow, scores precisely the points value of that section.
b. Hitting the thin outer portions of these sections, coloured red and green, scores double the points value of that section.
c. Hitting the thin inner portions of these sections, roughly halfway between the outer wire and the central circle and again coloured red or green, scores triple (or 3x) the points value of that section.
d. The central circle is divided into a green outer ring worth 25 points (known as "outer" or "outer bull") and a red inner circle (usually known as "bull", "inner bull" or "double bull"), worth 50 points. The term "bullseye" can mean either the whole central part of the board or just the inner red section.
e. Hitting outside the outer wire scores nothing.
f. Any dart that does not remain in the board after throwing (for example, a dart that hits a wire and bounces out of the board or drops out with the impact of a later throw) also scores nothing. Variations on this rule exist - some judge that a dart which obviously hits a scoring section but then subsequently drops out will count if caught before it hits the floor or if it rebounds behind the throwing line before touching the ground it may be thrown again. In professional rules, a dart's tip must be touching a scoring section for the dart to count.
g. The highest score possible with 3 darts is 180, obtained when all three darts land in the triple 20. In the televised game, the commentator frequently announces a score of 180 in exuberant style.

Playing darts:
A game, or "leg", of darts is usually contested between two players who take turns in throwing up to three darts. Starting from a set score, usually 501 or 301, a player wins by reducing his score to zero. The last dart in the leg must hit either a double or the inner portion of the bullseye, which is the double of the outer bull, and must reduce the score to exactly zero. Successfully doing so is known as "doubling out" or "checking out". A throw that would reduce a player's score to one or below zero does not count, his turn ends, and his score is reset to what it was before that turn. Since the double areas are small, doubling out is usually the most difficult and tense part of a leg. Longer matches are often divided into sets, each comprising some number of legs.

Professional organizations:
Of the two professional organisations, the British Darts Organisation (BDO), founded 1973, is the older. Its tournaments are often shown on the BBC in the UK. The BDO is a member of the World Darts Federation (WDF) (founded 1976), along with organisations in some 60 other countries worldwide. The BDO organises all British darts players, with the exception of a small group of professionals.
In 1994 a breakaway organisation was formed, initially known as the World Darts Council (WDC) but shortly after known as the Professional Darts Corporation (PDC). Over the years a continued exodus of top players from the BDO has established the PDC as the home of Professional Darts. An influx of sponsors and rapid expansion of television coverage continues. Tournaments are broadcast in the UK on Sky Television, and in the Netherlands by Sport One with many other tv stations now involved across the globe.
The PDC tournaments often have higher prize money and without doubt the best player in the world - 13 times World Champion Phil Taylor. Cementing the PDC's dominance at the very top of the game in early 2006, four times BDO world champion Raymond van Barneveld moved to the PDC.

Professional competitions:
The major tournament within both the PDC and BDO organisations are the World Championships which take place at the start of each year. The BDO tournament has been running since 1978, the PDC tournament since 1994 and in 2006 the first prize offered and total prize fund of the PDC World Championship was double that offered by the BDO tournament. (£100,000 to the PDC Champion, £50,000 to the BDO Champion).
The other main professional tournaments are ; Darts Premier League, UK Open, Las Vegas Desert Classic, World Matchplay, World Grand Prix (PDC - all televised live and in their entirety)
International Darts League, World Darts Trophy, World Masters (BDO/WDF - with the former two only broadcast on Dutch tv (SBS6), and the latter broadcast on SBS6 and by the BBC in the UK)
The WDF World Cup (for national teams) has been played bi-annually since 1977.

Other facts:
(a). The American Darters Association offers league organization for casual singles players throughout the United States (
http://www.adadarters.com/)
(b). The American Darts Organization is the world's largest national dart league, facilitating the organization of members' regional divisions, and promoting the sport via pub-based teams and individuals across the country (
http://www.adodarts.com/)
(c). World Champion: Raymond van Barneveld Barney - 4 times BDO World Champion


Saturday, May 20, 2006

KRITI FILM CLUB

An email in my inbox...It was a forwarded email. I opened it and read out an invitation from the Kriti Film Club. It read -
"A screening of 2 Manipuri films and a discussion with the film maker - Kavita Joshi on Friday, 19th MAY, 5.45 pm-7.30 pm"
We (Nungshibi* and I) arrived at 5:30 pm at the address mentioned in the email. The Kriti Team Workplace was also the Kriti Film Club venue, a nice cozy room. The film club offers an informal space for screening documentary & mainstream films as well as slide shows, on a whole range of issues connected with development, human rights & social attitudes/ trends once a month. It also serves as a borrowing & buying space for documentary films. Consistently screening films since 1999 in New Delhi, non-funded and surviving on its audiences' contribution into a 'gullak' (survival contribution box)! It is open to all, and also stocks up some 'nimboo pani' (lime juice) and 'kurkure' (eatables) for everyone!
For those interested to watch films at the film club every 3rd Friday, the address is:
KRITI TEAM WORKPLACES-35
Tara Apartments, Alaknanda
New Delhi 110019
Phone: 26477845/ 26213088
There were two film being screened. One was the "Untitled 3 Short Films" and the other, "Some Roots Grow Upwards". The former captures the struggle of Manipuri women against the Armed Forces (Special Powers) Act 1958 (AFSPA) enforced in the State of Manipur since September 1980.

The first of the 3 short films was about a dozen women (mothers) who protested naked on the streets of Imphal in front of the Assam Rifles base following the rape and killing of a young woman suspected of being a member of one of the insurgent groups in Manipur by the army personnel. The second film showed a mother who laments the extra-judicial killing of her teenage son after he was forcibly picked-up from his home by the army based on suspicion that he was a militant. The third film was about a woman, Irom Sharmila, who has been on a fast-unto-death since November 2000, demanding the removal of the Armed Forces (Special Powers) Act 1958 (AFSPA). For this, she has been locked up in jail by the government under very dubious charges and is being forcibly nose fed.

Manipur is a conflict-ravaged State in India’s North-East region. For decades, it has witnessed insurgency and armed separatist movements. The Indian government has attempted to crush these through force, using military power. Arrests, torture, extra-judicial killings - Manipuri people have faced them all. Yet, little is heard about Manipur and its troubles. This is a place that mainland India has marginalised; that the world has forgotten.

Struggles in Manipur, whether by individuals or groups will continue for a long time to come. The films depicted the struggle against the Armed Forces (Special Powers) Act, though there is another problem deeply seated in Manipur, the problem of insurgency. The people are caught in between the army at one end and the insurgents on the other. There are other geo-political events that have the potential to cause massive disruption of the fragile peace existing in Manipur and in neighbouring North Eastern States. While a solution is being sought year after year, the common people continue to suffer.

The second documentary film - 'Some Roots Grow Upwards' explored the work of acclaimed theatre director Ratan Thiyam, who for over 25 years now, has been creating a theatre that is as visually compelling as it is intellectually stimulating. His theatre is steeped in the traditional performing arts of his home State, Manipur. But while his aesthetic influences are traditional, his concerns are intensely modern. His plays reflect upon the socio-political crisis gripping the region, the youth unrest, war and violence; at the same time, they also dwell on the larger human condition.The film seeks insights into the art of Thiyam – in portraits of the city where he works, in the quiet beauty of the terrain, in the violent riots that tore the land apart, in the living traditions that come alive at festive time… Formally, it is a juxtaposition of the ‘lived’ and the ‘staged’.



A scene from one of Ratan Thiyam's play about the cycle of violence and its consequences in the lives of the people.

Note:I wish to thank Kavita Joshi for the photos used here.

Link: http://kavitajoshi.blogspot.com/

Thursday, April 27, 2006

MHA (2003-2005) Batch - Memories


Well, here we go again!

Ladies and Gentlemen, I present the MHA 2003-2005 Batch, the irresistable bunch. Thanks to Shashwat's and Hemlata's cell phones, these memories were framed forever. The quality of the images may not be high class but our class was surely high on life then...and hopefully now too.

Those 2 years at TISS were special years. For most of us, along those 2 years we found new friendship, new bonding, new opponents, new ideas, new barriers, new shortcuts, new competition......and for 'Mommie', new cosmetics!

Our lives also witnessed a lot of change, some good and some not so good. But life in those 2 years was worth it. I'm sure, each one of us, at some point or the other, have carried that all knowing SMILE when memories of the times at TISS flashed in our minds. But people, whatever it is, if there is a smile upon your face, then life is good! Oh Yeah!
Those exam blues, those countless pranks, those endless last-minute-studying nights, those chilling times....the list will never end. But in all that we have gone through, the expereinces have certainly enriched our lives. When I see these images, I reminisce, I smile...I know a part of my life was lived well.

Many of us are now in different locations and situations. The job market is now shaping our professional lives and we have to survive, we have to strive. More importantly, we must stay connected and re-connect with old links. Its an unending cycle....but people, there must be fun too! And our batch needs no introduction to fun...cos we defined fun in TISS, didn't we?

However, all good things must come to an end right? NO! We better make it good and we better make it stay people. British Airways, in one of its advertisements gave this line - "When was the last time, you did something for the first time?". So for us there must never be any room for complacency...cos we ROCK people!!

Wednesday, April 26, 2006

Mezcal's Jazz


It was late afternoon yesterday (25th April 2006) when Amit, my 'Bong Brother' called and informed me about a Jazz concert at the India International centre (IIC) Rose Garden to be held at 7 pm the same day. I, as usual, excitedly affirmed my presence at the event.

I arrived 20 minutes early for the show. The stage was set and the seats were gradually occupied. Amit arrived just as the show was geting started. The Jazz concert was actually a fusion of Classical Indian Music + European Jazz. The Classical team were Bikram Ghosh, Tabla maestro, Sunando Mukherjee, Sarod maestro and Parthasarathy Desikan, the vocalist. The Jazz team were 4 members of the French Jazz band, Mezcal!
The musicians were masters in their skill. At first the sound of the tablas and the saxophone didn't quite mix in my ears. Slowly as the rhythms began to emerge and merge, did I realise that it was indeed amazing.
Each musician displayed their talent to the applause of the people. Bikram was incredible at the tablas. He surely seemed to be the limelight of the evening. Nevertheless it was the superb combined music of the fusion that just swept through the place like a wave. Desikan's voice too blended well with the sounds.
It was 9:20 pm when the show ended and we were totally mesmerised by the music. Strains of it were still floating in our ears as we walked out of the Rose garden.

Tuesday, April 25, 2006

Puri Diary

Puri re-visited!! I took an annual leave from work, I took my bag...and took the Delhi-Kolkata flight on 9th April 2006. Then another 12-hour bus journey from Kolkata to Puri....and I was there, at last.

It was a planned trip. Planned by my brother - to celebrate our sister's birthday. It was 17 years ago when we first visited Puri, Orissa. It was a family holiday then. The beach near the town was much cleaner then...Now, it has become very dirty and the smell of fish and prawns lingered in the air.

We stayed at Toshali Sands, a resort, which is a member of the Resort Condominiums International (RCI). The RCI pioneered the concept of exchange vacations since 1974. Today, RCI has more than three million members worldwide, who enjoy dream vacations at RCI's 3,700 affiliated resorts. These timeshare owners and resorts are a unique community of travel enthusiasts with the common bond of a lifetime commitment to quality vacations through timeshare. Toshali also has a sister resort in Shimla.

First day we visited the private beach near the resort and I was overwhelmed. Sadly this beach was also dirty, though not as much as the stretch we saw near the town. The rest of the days were spent in travelling around Puri and Bhubaneshwar, the capital of Orissa and a lot of swimming in the resort pool. We visited the famous Sun Temple at Konark, definitely the most notable marvel of Orissan art, which was built in 1250 AD during the reign of the Eastern ganga King, Narasimhadeva. The structure was designed in the form of a chariot drawn by 7 horses on 12 pairs of exquisitely carved wheels. The walls of the temple contain many animal, floral and geometrical and sensuously carved human forms in a variety of gestures and rhythmic actions.

Another place we visited was the Chilka Lake, the largest salt water lake in the country and located to the South West of Puri. We arranged for a boat ride which was to take us to a location where we could see the famous Chilka dolphins and then to the spot where the Bay of Bengal meets the lake. The sky was overcast and the air was heavy with moisture.
There were many fishing boats, almost all of them coloured in blue, as majority of the people living near the lake earn their livelihood from fishing. The boat ride took 3 and a half hours. We spotted the dolphins and walked on the beach washed by the waters of the Bay of Bengal. It was so clean. One could just walk on for hours and not feel tired. It was as if there was a spell that captivates one's senses.
I returned to Delhi on 17th April after a truly wonderful time at Puri, and I just could not wait to upload the pics and start writing this piece. I must confess that before the trip, I was doubting whether we made the right choice of choosing to visit Puri, as I thought the temperature would be too hot to handle. Fortunately I was wrong. Puri does gives the traveller an unexpected comfortable welcome. It was a trip well made.

Wednesday, March 29, 2006

Muzaffarpur


Bihar finally! I said to myself as I boarded the Patna Rajdhani express from New Delhi on the 12 of February 2006. By 6 in the morning the next day, I arrived at Patna, the capital of Bihar. I was on an evaluation trip with 2 persons, Kamaraj a colleague and Madhura from PRAXIS. We were conveniently picked-up from the station by a Sumo (not wrestler!) vehicle arranged by the Project Manager of whose project we have come to evaluate. Patna did not quite look like a State capital, rather like a big town. But we were informed by the driver that with the change of government (from Laloo to Nitish), the people of Bihar are looking for the next big change.

Muzaffarpur is supposed to be one of the 3 biggest industrial areas in Bihar. The other two are Patna and Dharbanga. Again the scene looked like we have arrived in another big town. For the next 4 days we were involved in the evaluation. But we also managed to see the place. There were many modes of transportation in Muzaffarpur, from bullock-carts and cycles to Santros and trucks. Then there are the buses (private, See picture), which form an important link to many interior areas of the district and the State. As you can see, people have mastered the art of remaining on the roof in various manners of postures. I sometimes think, maybe the seats inside the bus are in such bad shape that people are more comfortable sitting on the roof.

Majority of the people in the neighbouring villages are agricultural labourers (many of whom are bonded labourers). They toil in the fields and earn a meagre sum to sustain themselves and their families. Tobacco cultivation is also big time here. Muzaffarpur is famous for its bangles. Moti Jheel market is the most happening market in the area and has a section exclusively for bangle shops. Here bangles are made, transported and sold all over the country. As my visit was not for leisure, the most memorable things about the place are the women we met in the field. How they are transforming their lives through the Self-Help Groups that they have formed with the help of the project is truly worthy of praise. From being a voiceless segment to a vocal and active participating group, it took a lot of determination and sheer will to change their lives that made them real ‘heroes’.